Pianist, composer, arranger Hilario Durán makes a triumphant musical homecoming on his new album Contumbao, to be released on ALMA Records next September 23, 2017.
Internationally recognised as a jazz pianist, composer, arranger and bandleader of the highest order, the Cuban-Canadian Hilario Durán has been based in Toronto for the past two decades, but his musical heart and soul have remained closely connected to the land of his birth.
He has continued to collaborate with Cuban musicians, but he takes this to another level on Contumbao. “For a long time I have wanted to go back to Cuba and play and record with my longtime musical friends there,” Hilario explains. “I told Peter Cardinali (head of ALMA and Hilario’s longtime producer) of my idea, and he supported me completely.”
Last November, Cardinali and award-winning engineer John ‘Beetle’ Bailey accompanied Durán to Havana, and the team set up shop in Havana’s famed EGREM recording studio, the most storied such facility on the island. This is where the young Durán had recorded hundreds of sessions, as a pianist, arranger, composer and musical director, both with other artists and with his star Cuban band Perspectiva, in the ’80s. “The studio has not changed a lot since then,” he says. “The vibe of the room is the most important thing and it still sounds great.”
An all-star cast was assembled, and Contumbao was recorded in a 10-day period Hilario describes as “very intense. There was a lot of energy at the sessions.”
Adding evocative and compelling musical accompaniment to Durán’s fluent and expressive piano playing and compositions were guitarist (and Perspectiva bandmate) Jorge Luis Valdes (“Chicoy”), bassists Jorge Reyes and Roberto Riverón, drummer Horacio “El Negro” Hernández , conga player Jorge Luis Torres “Papiosco”, Pancho Amat (tres), Jorge Luis Quintana “Changuito” (timbales), and Brenda Navarette (Batá and guest vocals on “Recuerdos”). The percussion group Rumberos De Cuba was recruited for two numbers, “El Tahonero” and “Rumba de Cajón.” Navarette and Riverón were recorded at a different session in Toronto.
Cuban piano great Chucho Valdés makes a special guest appearance, teaming with Hilario for a thrilling piano duet on “Duo Influenciado.” This track was also recorded in Toronto, in the midst of Valdes’ touring with Joe Lovano. “I was so pleased to record with Chucho for the first time, as he was one of my biggest influences. I used to copy all his solos,” Hilario recalls.
The admiration is mutual, as Valdés gave Durán a big career boost back in 1975 by recommending him for The Orquesta Cubana de Musica Moderna. In recent years, Valdés recruited Hilario to arrange and compose for his band, and the pair recently performed German shows featuring two pianos and an orchestra.
The cast of musical heavyweights assembled in Havana work their magic on 11 new Durán original compositions, with Contumbao rounded out by an upbeat version of rumba tune “El Tahonero.” Hilario explains that “I heard this song when I was in Cuba a few years ago and fell in love with it.”
The rumbas on the album, “El Tahonero” and the vibrant “Rumba de Cajón,” fit Durán’s mandate. “My musical concept with this album was to try to reach a wider audience. It is an album that can get people dancing, while those who like sophisticated music can enjoy it too.”
His mission is certainly fulfilled here, as Contumbao has an impressive dynamic range of different tempos, tones and moods. “Parque 527” is a tune with deep personal resonance for Hilario, who explains that “this is the address of the house in Havana I spent much of my life in. I grew up there and lived with my wife there, so there was a lot of joy in that house. It is like the story of my life in that song.”
The album’s title track is a full-blooded Latin jazz tune with a real rhythmic drive and some sparkling electric guitar from Chicoy. “Con Tumbao” is actually Hilario’s nickname, one bestowed upon him early on, in reference to his creative use of the tumbao repetitive bass figures.
“Recuerdos” is a lovely piano ballad enhanced by Navarette’s lilting voice, while the free-flowing piano, guitar and percussion interplay on “Danzón Farewell” brings the record to a compelling conclusion.
With Contumbao, Hilario Durán has created another compelling entry in a rich and rewarding discography. His earlier albums have earned him three Juno Awards (Canadian music’s most prestigious award) and a Grammy nomination (for 2006’s From the Heart, by Hilario Durán’s Latin Big Band, featuring Paquito D’Rivera and Horacio Hernández). His playing has also been featured on many other award-winning albums.
A truly versatile artist, Hilario is equally at home performing and recording solo, as a duet (as on Cuban Rhapsody, his acclaimed 2011 album with frequent collaborator Jane Bunnett), in a small group setting, or with a big band. He has also achieved distinction in the classical and chamber music worlds, working with The Gryphon Trio, Quartetto Gelato, and composing and performing a symphony for the Toronto Symphony Orchestra. Durán has been on the Faculty of Humber College in Toronto since 2000, imparting his vast knowledge to a younger generation of musicians.
His return to the recording arena with Contumbao is both welcome and richly satisfying.